Photos & Review | Ameris Bank Amphitheatre Becomes a Portal to the ’90s Thanks to Counting Crows’ Timeless Set

Counting Crows @ Ameris Bank Amp in Alpharetta GA

On a warm summer night in Alpharetta, Counting Crows brought their signature blend of introspection and nostalgia to the Ameris Bank Amphitheatre. The atmosphere was electric as fans settled in, eager for a night of stories wrapped in melody. With the Butter Miracle: The Complete Sweets Tour in full swing, the band’s stop in Atlanta felt more like a celebration than just another concert. From the first note, it was clear the band had come to reconnect—with the music, with each other, and with everyone who has ever clung to their lyrics in a time of need.

Counting Crows @ Ameris Bank Amphitheatre | @deadly_sharp_photo

Opening the evening was The Gaslight Anthem, whose emotionally raw and anthemic sound paired perfectly with the night’s tone. Frontman Brian Fallon delivered a heartfelt performance that included a stirring cover of the Mother Love Bone classic “Chloe Dancer” and a powerful rendition of “Mama, I’m Coming Home” in honor of the late godfather of metal, Ozzy Osbourne. Their set carried a working-class grit and provided a strong foundation for the night, perfectly setting the mood for Counting Crows.

The Gas Light Anthem @ Ameris Bank Amp in Atlanta GA

Who: The Complete Sweets Tour | The Gaslight Anthem

Where: Ameris Bank Amphitheatre, Atlanta GA

When: July 24th, 2025

Follow The Gaslight Anthem | Website / Facebook / X (Twitter) / Instagram / YouTube / Spotify / TikTok

The lights dimmed, and a roar erupted throughout the amphitheater. Slowly, the stage began to glow, and Counting Crows emerged. Adam Duritz appeared with the same weary magic that has defined his stage presence for decades—half poet, half preacher. There was an authenticity in every pause, every trailing word, every shift in tempo that transported the audience back in time. The band opened with “Spaceman in Tulsa,” reminding the crowd that even after decades of music, they still have what it takes to be one of the best acts around. The set also included timeless tracks like “Mr. Jones,” “Recovering the Satellites,” “Round Here,” “A Long December,” and “Rain King.” The synergy between Duritz and longtime bandmates like Charlie Gillingham and Dan Vickrey added emotional weight to each moment, whether through spiraling piano lines or quietly shimmering guitar textures.

Counting Crows @ Ameris Bank Amphitheatre | @deadly_sharp_photo

Midway through the night, the band shifted into an acoustic segment that brought a hush over the amphitheater. These stripped-back renditions of “Washington Square” and “Angels of the Silences” dissolved any distance between performer and listener, allowing the full weight of Duritz’s lyrics to settle in. Whether sharing a new track from Butter Miracle or revisiting an older favorite, each song was delivered with reverence and patience. It served as a reminder that Counting Crows have always prioritized storytelling over spectacle.

By the time the band reached the final moments of their set, the connection between them and their audience was undeniable. Fans sang along with conviction, filling the space with voices that seemed to rise as one. The night wasn’t about a perfect performance or high-energy theatrics—it was about feeling something real. And in that, Counting Crows succeeded entirely, offering a timeless and deeply human performance that lingered long after the lights dimmed.